March 7, 2012

Workshop Program

The Istanbul Design Biennial will organise a series of Workshops between 22 and 27 March in order to bring institutions, students, and industrial representatives together with designers to feature design training and enable mutual learning and interaction. The events within the framework of the biennial theme “Imperfection” will provide an opportunity to participants by bringing professionals in local and international creative industries and different brands together with university students and co-experience the thinking and producing processes.

200 university students will have the opportunity to work with approximately 30 international designers in 11 different workshops in different venues for five days. Clay designer Max Lamb with the Designer of the Future Award, chef Marc Bretillot, an important name for culinary designs, Luis Urculo known to the architectural sector, Anon Pairot who made a name with his product designs and his works with important brands like Hermes and Fendi, and Amina Agueznay who designs jewellery with natural and daily materials are among the 30 designers who will come to Istanbul in order to participate to workshops within the Istanbul Design Biennial.

The Istanbul Design Biennial will be held with the support of Coca-Cola, Matraş, Nef and Roman Ready-to-wear as well as the co-sponsors Koray Group of Companies, Vestel and VitrA. Works, ideas, products and the process itself, after the Workshops, will be exhibited in venues/places where works during the Istanbul Design Biennial will be created. The information with regard to venues of workshop exhibitions and events will be in the Istanbul Design Biennial programme booklet and map.

The Workshops will be carried out under the leadership of successful institutions and teams such as Domaine de Boisbuchet, Made in Şişhane&Design Quartier Ehrenfeld (More Than Design), SALON/Amsterdam-Istanbul, Design and Innovation Initiative for Sustainable Life and TAG Platform. The works will be carried out at venues determined together with the partner company with the participation of 20 university student.

After the Workshops which will begin on Thursday, 22 March and continue for five days, there will be a general presentation, which will bring all contributors together, at Beyoğlu Youth Centre on Tuesday, 27 March. Presentation will be free of charge and open to general public and workshop leaders will sum their works and present selected examples. General presentation with the participation of the designers will be preview for the workshop exhibitions in the Istanbul Design Biennial.

Participation to the workshops

The Istanbul Design Biennial Workshops will be open to all undergraduate and graduate students in urban design, urban and regional planning, environmental design architecture, interior architecture, industrial design, graphic design, fashion design, fine arts, and new media design departments of relevant universities and will be free of charge.

Participant students suggested by the head of departments of the universities and students applied to the Istanbul Design Biennial will be placed on space-availability basis and in accordance with the order of precedence.

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February 16, 2012

Musibet Open Call

OPEN CALL for Musibet

Musibet, curated by Emre Arolat, is one of the two exhibitions comprised in the 1st edition of the Istanbul Design Biennial


The Aestheticization of Context and Anti-Context in Design along the Axis of the Grand Transformation

The backbone of the Istanbul Design Biennial, the first edition of which is to be held at Istanbul Modern in İstanbul from 13 October to 12 December 2012, will be informed by two design approaches which, however much they may seem to be contrary at first sight, nevertheless reveal a surprising convergence owing to their tremendous topicality and pervasiveness. We shall refer to the first of these tendencies as “Context & Specificity”, to the second as “The Aestheticization of Acontextuality & Innovation”. Of the two, the first, in the hands of powers-that-be, transforms context into a tool while fleshing itself out with a dangerous and imposed false-historicity whereas the second “merely” seeks to apply gloss to misplacedness. [ Read more ]

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February 16, 2012

Adhocracy Open Call

OPEN CALL for Adhocracy
Adhocracy, curated by Joseph Grima, is one of the two exhibitions comprised in the 1st edition of the Istanbul Design Biennial

Since its inception as a discipline of industrialisation and modernity, design has come to influence—or even define—almost every facet of contemporary existence. From cities to typefaces via architecture, vehicles, objects, interfaces, and infrastructural systems, acts of design permeate our lives almost to the point of saturation. Design has become so ubiquitous as to have almost become invisible, subsumed into everyday life to the point we forget it is also inevitably a political activity with far-reaching social implications. Today, it stands at one of the most significant crossroads in its brief and conflicted history.

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February 15, 2012

Istanbul Design Biennial Open Call


Gabriele Basilico, Istanbul 2005

The first edition of the Istanbul Design Biennial will be held from 13 October to 12 December 2012 by the Istanbul Foundation for Culture and Arts (IKSV) under the co sponsorship of Eren Holding, Koray Group of Companies, Vestel and VitrA. The deadline for submissions for the two exhibitions, which will be independently curated by the biennial’s curators, Emre Arolat and Joseph Grima within the framework of the biennial theme “Imperfection” (Kusurluluk) is 2 June 2012.

The Istanbul Design Biennial, organised by the Istanbul Foundation for Culture and Arts for the first time, explores a wide range of fields, from urban design (environmental, urban and regional planning) to architecture, photography, industrial, graphic, fashion, textile and interaction design, and all related creative fields.

The theme of the Istanbul Design Biennial is adopted as “Imperfection” (Kusurluluk) at the suggestion of Deyan Sudjic, Director of The Design Museum in London and a member of the Biennial’s advisory board. The two curators of the biennial, Emre Arolat and Joseph Grima will present two different approaches within the framework of the biennial theme. The deadline is 2 June 2012 for project submissions to the Istanbul Design Biennial exhibitions “Musibet” (curated by Emre Arolat) and “Adhocracy” (curated by Joseph Grima). There are no disciplinary or geographic limitations to the projects that can be submitted for inclusion in the biennial.

More information about the Istanbul Design Biennial programme will be released at a press conference in March 2012.

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February 10, 2012

‘Why Design?’ Q&A with International Designers

Date: 25 February Friday 2011

Place: İstanbul Modern

The founder of Vitra Design Museum and the Chairman of the Vitra Design Foundation Alexander von Vegesack, IKEA designer Sigga Heimis, the founder of London-based Architecture+Design studio Sevil Peach and the former Design Director of Hermès Gabriele Pezzini, came to Istanbul as guests of the Design Biennial for a special meeting.

These four names, who stand out with their institutional success in design, discussed the question “Why Design?” and answered participants’ questions at Istanbul Modern on 25 February. About 270 people, including academicians, directors of professional associations, designers and students, attended to the seminar. [ Read more ]

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February 10, 2012

‘Why Design, Why Biennial?’: Istanbul Design Symposium

Date: 02 December Thursday 2010

Place: Kadir Has University

Until the first Istanbul Design Biennial, to be held in 2012, symposiums, workshops, exhibitions, and similar preliminary events will be organised during the preparation stage. The first event within this framework, the International Istanbul Design Symposium, was held successfully at Kadir Has University on December 2 and 3.

The International Istanbul Design Symposium, titled “Why Design, Why Biennial?”, hosted 29 speakers, 7 of which were from abroad. 300 people attended the symposium, including students, scholars, company owners who are active in the field of design, members of related organizations and institutions, and representatives of both the national and international press. It was evident that a positive meeting environment had been fostered. [ Read more ]

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